Monthly Archives: September 2006

Native Instruments Announces Battery 3

Native Instruments is excited to announce BATTERY 3, a significant revision of its popular drum and percussion sampler. The addition of time-stretching and advanced loop capabilities, innovative “play parameters”, a powerful master effects section and an integrated wave editor all serve to strengthen the role of BATTERY as the premier creative drum and percussion sampler, with an enormous library of more than 100 high-quality drum kits providing a wealth of studio-quality material for all styles and genres.

BATTERY 3 is based on a powerful new sampling engine that offers high-quality time stretching and a new “Beat Mode” for improved loop-handling capabilities, enabling musicians to get the most out of any sample library. BATTERY 3 can also turn programmed beats into truly dynamic performances through new “articulations” that allow for authentic real-time flams, drags and rolls, while the “humanize” function can now add a subtle natural feel.

The customizable cell matrix in BATTERY 3 has been extended to hold up to 128 sounds per kit, while color coding of cells now provides a better overview. A new wave editor offers direct surgical access to any individual sample in BATTERY on-the-fly, opening up an additional powerful level of in-depth customization and creative sound shaping.

While the existing cell-specific effect section has been further improved in BATTERY 3, the new version also adds a comprehensive master multi-effect section that is especially useful both for sound design and for live use. Equipped with high-quality filter, dynamic and delay algorithms, the master effect section also incorporates a high-end convolution reverb that can even accept individual drum kit cells as impulse sources via easy drag-and-drop assignment, opening up a new resource of creative sound shaping and experimentation.

BATTERY 3 ships with a huge and highly versatile sound library that includes more than 100 unique and ready-to-use drum kits, spanning a huge musical spectrum from jazz and rock to hip-hop and techno, and including a wide range of exotic ethno-percussion and special effects assortments. The library is based on over 23.000 individual samples, with both kits and samples becoming more accessible through a significantly enhanced sound browser in BATTERY 3. Creating and customizing drum kits has also become much more convenient due to a new “cell library” that holds more than 2.500 individual drum cells, all pre-categorized according to their musical role and application.

BATTERY 3 will be available in October 2006 for a suggested retail price of $ 219 / 199 Euro from authorized dealers and in the NI Online Shop. An update for owners of will be available for $ 119 / 99 Euro.

BATTERY 3 is also a part of the KOMPLETE 4 product bundle, which will in turn be available as a free update for all owners of KOMPLETE CARE 2006.

For more information, visit their web site at www.native-instruments.com.

Native Instruments Battery 3

Equinox Sounds Releases After Hours Loop/Phrase Collection

Equinox Sounds has released After Hours, a collection of melodic and rythmic loops and phrases for creating Melodic, Deep and Ambient Trance music. The collection contains a selection of beats, synth lines, bass lines and arpeggios in ACID and REX2 formats, plus a folder containing melodies and chord lines in Standard MIDI File format.

Features:

  • 30 Melodic MIDI Loops
  • 61 Arpeggios (ranging from 120-145 BPM)
  • 119 Bass Lines (ranging from 120-145 BPM)
  • 121 Synth Lines (ranging from 120-145 BPM)
  • 52 Trance Percussion Loops
  • 300 Drum Loops (ranging from 120-145 BPM)
  • 200 Single Drum Sounds

Format:
30 MIDI loops/phrases + 650 ACIDized.wav loops/music phrases + 560 Rex2 loops + 200 single drum sounds in wav format.

After Hours is currently available for 60 Euros on CD-ROM or as a download.

For more information, visit their web site at www.equinoxsounds.com.

Equinox Sounds Releases After Hours Loop/Phrase Collection

Posted in Audio, Loops, MIDI, Samples

Zero-G Releases Kocktail Kollection Lounge Music Sample Library

Kocktail Kollection is the only Lounge collection that truly captures the REALLY cheesy sounds of the late 1950′s and early 60′s.

Over 1.3GB of greasy, spring reverb laden pieces, steel guitars, accordion licks, cheesy mono synths, vocal licks, guitar “chicks”, jazz guitar octaves, live drumz, machine drumz, lo-fi breakz, simulated old lounge record excerpts and lounge hitz, make this a true trip into the oily, lounge lizard, musical past.

The construction kits cover a wide tip of Lounge styles. From the 1960′s sitcom theme sounds of: Flutes and Swingers to the more modern Lounge tip of Ala Brazil or the 60′s disco twist stylin’ of Swingin’ 60′s you have a wide palette of drum groovez, sound fx, hitz and total retro insanity. All kits feature multi-key versions of each piece and many of the sounds are even offered with the option of spring reverb or dry.

Authentic tools of that era were used whenever possible. Spring reverb, vintage basses with flat wound strings and mutes, hand held cheapo synths, and vintage guitars and guitar effects from that time period were used liberally in the creation of this collection. All loops retain a full “back in the day” sensibility combined with full 24-bit digital quality.

Categories include:

  • 70s Sequencer Synth Lines
  • Accordion Lix
  • Adrennalinn 2fers
  • Lounge Construction Kitz
  • Guitar Slide Octaves
  • Lounge Atmospherez
  • Lounge Breakz
  • Lounge Drumz
  • Lounge Guitar Chicks
  • Lounge Hitz
  • Lounge Lo Fi Break Fillz
  • Lounge Single Drum Hitz
  • Old Lounge Recordz Mixes
  • Vintage Cheese Lix
  • Vintage Cheesy Synth Sounds
  • Vocal Lix

Over 950 wav files and 650 Rex files in 1.3GB of brand new material. MSRP $99.95.

For more information, visit their web site at www.zero-g.co.uk.

Zero-G Kocktail Kollection Lounge Music Sample Library

Posted in Samples

Sony Media Software Announces Cinescore Update And New Theme Packs

Sony Media Software has released two new Theme Packs for the recently unveiled automated scoring software, Cinescore . “Ideal Vacation: Music for Life” and “High Tech World: Kinetic Tracks,” give Cinescore users even more musical options for their scoring projects.

“Ideal Vacation: Music for Life” gives users a diverse template of rock, pop, country, latin and world music. “High Tech World: Kinetic Tracks” is a production music powerhouse for making modern music soundtracks. Both The “Ideal Vacation: Music for Life” and “High Tech World: Kinetic Tracks” Theme Packs will be available this month (Sept. ’06) and will retail for $99.95 (MSRP).

Sony Media Software is also offering users a free Cinescore 1.0a update that provides interface and key command improvements, giving users the ability to customize the Theme Chooser window, quickly access themes based on specified sort criteria and easier navigation\while editing. Cinescore users can also now preview their music in the Video Preview window.

For more information, visit their web site at www.sonycreativesoftware.com.

Native Instruments Announces ABSYNTH 4

Native Instruments today announced ABSYNTH 4, the fourth generation of its award-winning semi-modular software synthesizer that is renowned for its unique evolving sounds and textures. The new version offers extended sound design and performance capabilities through a new customizable signal flow; additional oscillator, waveform and envelope features; and a completely revised modulation concept. Numerous usability improvements, including a new KORE-compatible sound browser, provide a more convenient creative workflow.

The sonic capabilities of ABSYNTH have received a major extension in its fourth revision. The semi-modular signal flow is now customizable, allowing users to freely specify the combination and order of filter, modulator and waveshaping modules in each oscillator channel. A new “Wave Morph” function creates a wide range of new timbres through seamless interpolation between two user-definable waveforms, with real-time modulation of the interpolation readout leading to dramatic, highly musical results. A new “Sync Granular” oscillator mode also adds an entirely new sound source, resembling a blown or strummed acoustic instrument.

Powerful envelopes are one of the signature features of ABSYNTH, and the fourth generation of the instrument offers significant enhancements. A new global Master ADSR envelope can be used to shape even the most complex sound in a quick and intuitive way. The individual multi-breakpoint envelopes can now be synchronized to a beat grid, creating sound movements that follow the global tempo of a host sequencer. With this new feature, ABSYNTH 4 effectively integrates the concepts of envelopes and step sequencers into a powerful new tool for creative sound design.

A completely revised modulation concept in ABSYNTH 4 offers significantly increased real-time performance and automation options. Sixteen assignable macro controls can now manipulate any combination of oscillator, filter, modulation and effect parameters, with the additional option to convert any pair of controls into an XY field. “Audio Modulation” also now allows an external input signal to be used as a routable controller.

ABSYNTH 4 ships with more than 1,200 outstanding preset sounds, while a new integrated sound browser provides advanced categorization and search features. The ABSYNTH sound browser is now fully compatible with Native Instruments’ KORE host system and its KoreSound format.

ABSYNTH 4 will be available in October 2006 for a suggested retail price of $ 339 / 299 Euro from authorized dealers and in the NI Online Shop. An update for owners of ABSYNTH 3 will be available for $ 119 / 99 Euro.

ABSYNTH 4 is also a part of the KOMPLETE 4 bundle, which will in turn be available as a free update for all owners of KOMPLETE CARE 2006.

For more information, visit their web site at www.native-instruments.com.

Native Instruments ABSYNTH 4

Posted in Audio, Softsynths, VST

Bangin-Beats.com Releases Wind Storm: Royalty Free Horns For Hip Hop

The Bangin-Beats camp brings in fall with Wind Storm, a healthy collection of wind instrument samples aimed at the Hip Hop production market, but useful for any genre.

Wind Storm is packed with over 300MB of useful Trumpet, Baritone Sax, Tenor Sax, Soprano Sax, Trombone, Flugelhorn, Clarinet & Flute samples at 24-Bit/96kHz.

Instrumentation was handled by Amanitas and A-Ok of Mushroomstamp productions in Los Angeles, CA. With their real world production experience, Mushroomstamp provided a perfect blend of “choppable” jazzed-out riffs with the crate-digging producer in mind.

Recorded in a bright, live room with early reflections, Wind Storm adds an overall spaciousness to two-dimensional keyboard production. Edited & mastered with the character of Neve & Universal Audio hardware, and an extensive software suite, subtle elements were left intact in many samples, such as the player’s breath and valve action. This brings the presence of an actual musician to programmed tracks. Couple this with the handful of isolated, real vinyl static samples included, and creating the vibe of authentic sampled music is easily achieved while retaining ever important publishing royalties.

Wind Storm is offered on CD-ROM in .wav format for compatibility with most modern hardware samplers and the vast software landscape such as FL Studio, Reason, Kontakt, Battery, Halion, Pro Tools, Logic & more.

The Wind Storm library is priced at $49.95 at 16-Bit/44.1kHz, and $59.95 at 24-Bit/96kHz respectively.

For more information, visit their web site at www.bangin-beats.com.

Bangin-Beats.com Wind Storm: Royalty Free Horns For Hip Hop

Posted in Brass, Samples

Native Instruments Introduces MASSIVE Software Synthesizer

Native Instruments today announced MASSIVE, a true next-generation software synthesizer with unique sonic character, outstanding audio fidelity, vast flexibility and an innovative, highly accessible interface. Based on an new high-resolution audio engine, MASSIVE combines advanced Wave-Scanning synthesis with a wealth of sophisticated sound-shaping and modulation options, resulting in a charismatic high-end sound full of warmth, punch, character and definition. MASSIVE is a true multi-purpose synthesizer for studio and stage that excels at powerful lead and bass sounds, but can also deliver complex pads and deep atmospheres as well as intriguing sequences.

MASSIVE is built from the ground up on a forward-thinking synthesis engine that makes full use of today’s advanced processor architectures. Intelligent oversampling with up to 192 kHz internal resolution guarantees pristine audio quality across the full spectrum, with exceptionally clear highs and a powerful, well-defined low end.

At the heart of MASSIVE’s synthesis engine are three Wave-Scanning oscillators that draw on 82 high-quality multi-wavetables to provide a vast spectrum of brilliant and highly dynamic timbres. All wavetable sets have been enhanced through FFT resynthesis, which guarantees pristine oscillator sound quality, free of any aliasing artifacts that wavetable synthesis is often associated with.

A special wavetable technology with “Phase Shaping” allows for additional “Bend” and “Formant” play modes, which provide a wide range of further tonal variations in the oscillator stage. An additional modulation oscillator provides optional phase modulation, ring modulation and filter FM, while a flexible noise generator can add enharmonic tonal components. Therefore, the oscillator stage of MASSIVE alone can provide a wider range of timbres than many conventional synthesizers with their full signal path.

The powerful and highly flexible dual filter section of MASSIVE complements the oscillator stage with 11 sophisticated, analog-sounding filter models ranging from lowpass and highpass variants to the fierce “scream filter” and a versatile comb filter. As a further sound-shaping device, a unique feedback stage can be inserted at various points in the signal chain to literally supercharge the sound, creating effects from warm saturation to total destabilization and unpredictability.

MASSIVE is also equipped with an assortment of high-quality effect algorithms that have been specifically designed to complement and enhance the sound-shaping capabilities of the instrument. Two insert effect sections can be inserted independently at various stages in the signal path to provide drastic treatments like Sample&Hold, Frequency Shifting, and Shapers, while dual master effect sections provide a wider selection of algorithms ranging from modulation and delay effects to equalizing and various flavours of saturation and overdrive.

A sophisticated yet easy to use modulation concept makes MASSIVE an extremely dynamic and flexible instrument, while a consistent single-window approach presents the deep functionality of the instrument in a highly effective and accessible way. Nearly all parameters in MASSIVE can be controlled and modulated in real-time, and modulations can be assigned by a simple, intuitive drag-and-drop process, with innovative “range knobs” providing full overview of all assignments and modulation amounts at a glance.

The modulation capabilities draw on four freely assignable ADSR envelopes with loop and morph features, and four additional custom modulators that can be individually set to act as LFO, “Performer” envelope or “Stepper” envelope. An additional “Macro Control” section provides eight multi-assignable meta controls that can also be mapped to any hardware controller, including the KORE controller.

MASSIVE includes 420 preset sounds that effectively showcase the sonic potential of the instrument, and provide a valuable tonal arsenal for various styles of electronic music. MASSIVE also includes a powerful sound browser with advanced categorization and search features. All presets are stored in KoreSound format, which makes them fully compatible with KORE, Native Instruments’ software instrument host system.

MASSIVE will be available in October 2006 for a suggested retail price of $ 339 / 299 Euro from authorized dealers and in the NI Online Shop.

Customers who purchase both KOMPLETE 4 and KORE after September 13th are eligible for a free copy of MASSIVE. This special limited-time offer expires December 31st, 2006.

For more information, visit their web site at www.native-instruments.com.

Native Instruments MASSIVE Software Synthesizer

Posted in Softsynths, Synth, VST

A-Designs Audio Debuts The ATTY2′D Multi-Channel Passive Line Level Controller

A-Designs Audio is proud to introduce the ATTY2′D (pronounced ‘attitude’), a multi-channel passive line level controller that is the big brother of the successful ATTY stereo passive line level controller introduced in 2004.

Housed in a 1U rack-mountable chassis, the ATTY2′D features two stereo and two mono channels–all four sporting their own individual mute switches and large aluminum cast rotary level controls. A single master mute switch is also located in the center of the front panel for fast termination of audio signal to all channels.

The ATTY2′D can allow engineers to gain control of their classic preamplifiers with no output attenuation by padding the line level signal to their AD converters without clipping. At the same time, it allows preamplifiers to be pushed harder for a completely different audio effect in the signal path.

As another example, the demand for active monitors coupled with today’s audio software can certainly create an issue when the computer crashes and the active monitors are set to 11. The ATTY2′D provides a solution by using the muting setup for separate channels or the master mute for all channels when working with more than one pair of active monitors or in 5.1 surround sound. And using the ATTY2′D for active speaker control is perfectly seamless; the unit is 100 percent passive, therefore no unwanted color/electronic signals are added to the audio path ensuring the purest signal possible.

Currently shipping, the ATTY2′D features a US list price of $585.00.

For more information, visit their web site at www.adesignsaudio.com.

A-Designs Audio ATTY2′D Multi-Channel Passive Line Level Controller

Posted in Audio, Technology

Eventide Optimizes Anthology II For Intel Macs

Eventide today announced that its popular Anthology II plug-in bundle will be available as a Universal Binary and is optimized for the new Intel-powered Mac computers. This new Mactel upgrade will allow users to take full advantage of Apple’s newest computers, including the Mac Pro with quad-core architecture, for faster processing speeds when operating Eventide’s powerful and comprehensive set of digital plug-ins.

Available in October of 2006, the Mactel upgrade will be free to current Anthology II customers and will be available via Eventide’s website, through authorized Eventide dealers, and outside North America through authorized Pro Tools dealers.

Anthology II adds six new plug-ins to the Anthology bundle: two 48-bit double precision vintage equalizers; EQ65 Filter Set and EQ45 Parametric Equalizer, both 48-bit double precision; two new configurable channel strips, Ultra-Channel, featuring Eventide’s signature micropitch shifting effect for thickening, and E-Channel, optimized for maximum instances; Precision Time Align, provides the ability to bring individual tracks into phase; and Quadravox, a four-voice diatonic pitch shifter with delays.

Anthology II also includes the latest versions of the nine plug-ins that comprised the original best-selling Anthology bundle: H910, H949, Instant Phaser, Instant Flanger, Omnipressor®, Eventide Reverb, Octavox, H3000 Band Delays, and H3000 Factory. Like Anthology, Anthology II is fully compliant with ICON, D-Control, D-Command, Venue, Pro Tools 7.2, and is Mac and PC compatible.

For more information, visit their web site at www.eventide.com.

Posted in Apple Mac, Plug-Ins

CAPS CTA Aiming Software For HK Audio’s ConTour Array™ Available

The CAPS Software which is already well-known from COHEDRA™ and COHEDRA COMPACT™ is now available also for the new ConTour Array™.

The CAPS CTA Software enables the simulation of the projection behavior of a ConTour Array™ system in a specific venue. It allows rapid virtual construction of venues featuring up to three audience areas. Up to five flown CTA 208 mid/high units can easily be simulated. For stacked applications, you can make up a ground-stack simulation by one mouse click.

Creative work is carried out in the Setup menu; with the help of the adjustable angles of the DualCurve™ system, the resulting sound projection data is computed and displayed. The software also calculates delay times and sound pressure for different audience positions. This allows for reliable prediction of obtainable SPL values (Peak/Continuous/A-weighted) as well as precise analysis in 1/3-, 1- and 3-octave steps and two-dimensional mapping.

The Rigging menu captures data parameters for weight, centre of gravity, overall height and the angles between the individual mid/high units. The software was developed in cooperation with Software Design Ahnert (SDA) and is based on the CAPS version for COHEDRA™ and COHEDRA COMPACT™.

For more information, visit their web site at www.hkaudio.com.

CAPS CTA HK Audio’s ConTour Array™

Posted in Software