Category Archives: Effects

Recording School Online Releases IceVerb Multi-Effect VST Plug-In

Recording School Online has just released IceVerb, a multi-effect VST plugin. IceVerb is not simply just another digital reverb, this special audio effect has been designed with music mixing in mind.

The result is a very interesting audio plugin that enhances depth and dimension within the stereo field of the mix. IceVerb can add more perceived space to both mono and stereo tracks helping to create a fuller and wider depth of field.

Check out a video demo of IceVerb and other VST audio plugins at the RSO website.

For more information, visit their web site at www.recordingschoolonline.com.

Recording School Online IceVerb Multi-Effect VST Plug-In

Neyrinck Announces SoundCode For DTS Plug-In Suite For Pro Tools

Neyrinck is pleased to introduce the SoundCode for DTS plug-in suite for Digidesign® Pro Tools systems. Tightly integrated with Pro Tools software, the SoundCode for DTS plug-in suite provides mastering-quality workflow tools that enable encoding and decoding of DTS Digital Surround, 96/24, and ES audio directly within Pro Tools HD, Pro Tools LE, and Pro Tools M-Powered systems.

The SoundCode for DTS plug-in suite is the newest addition to the Neyrinck SoundCode product family, which debuted in 2005 with the release of the SoundCode for Dolby Digital plug-in. The two SoundCode plug-ins complement each other and provide surround encoding for any DVD delivery requirement. SoundCode for DTS is a must–have for post production professionals delivering high-quality audio for DVD-Video and DVD-Audio.

The SoundCode for DTS Encoder, which operates as an AudioSuite™ plug-in, offers a faster-than-real-time way to encode audio from a Pro Tools session – ready for use with DVD audio and video authoring applications. The time-saving Punch In/Out encoding feature allows users to punch in fixes to an existing DTS file. If the audio for a two-hour program has already been encoded, but a single line of dialog needs to be replaced, SoundCode can encode just that line, without having to re-encode the entire two-hour soundtrack. In addition to DTS 5.1 Digital Surround, DTS 6.1ES Discrete mode can be used to encode a rear center channel for increased surround localization and spatialization. DTS 96/24 mode can be used to encode 96 kHz, 24-bit audio up to 5.1 channels for applications requiring the highest fidelity possible.

The SoundCode for DTS Decoder functions as a real-time RTAS® plug-in or a non-real-time AudioSuite plug-in. The real-time decoder features Sample-Accurate Direct File Decode to decode a DTS file in real-time synchronized to the Pro Tools timeline and video. Simply point SoundCode to the DTS file and press play for mastering-quality confidence monitoring. The decoder also features a legacy monitor so a user can hear how 96/24, 5.1 ES, and 6.1 ES streams will decode on a legacy 5.1, 48 kHz system. Using the AudioSuite decoder, users can decode all or a portion of an audio file faster than real time, or view the metadata of a DTS file.

SoundCode for DTS is compatible with Pro Tools LE and M-Powered systems so that low-cost encoding/decoding workstations can be configured in post production and DVD authoring facilities. The fully functional encoder can encode a surround mix from a set of imported mono tracks. The decoder stereo can output a DTS bitstream over SPDIF to an external home theater decoder for surround monitoring.

Features:

Encoding

  • Tight integration within the Pro Tools environment
  • Faster-than-real-time encoding*
  • Punch In/Out feature to saves time when fixing an existing DTS file
  • DTS 96/24 mode encodes 96 kHz / 24-bit audio
  • DTS 6.1 ES Discrete mode encodes rear-center channel
  • Fully functional in Pro Tools HD, Pro Tools LE, and Pro Tools M-Powered systems

Decoding

  • Real-time decoding of DTS files and streams
  • Direct File Decode synchronized sample-accurate to Pro Tools timeline and video
  • Extensive metadata display
  • Legacy monitor mode simulates 5.1, 48k playback systems
  • Stereo and 5.1 downmixing to simulate consumer listening environments
  • Output level metering
  • AudioSuite decode to timeline

*Encoding time will vary based on CPU speed.

For more information, visit their web site at www.neyrinck.com.

Neyrinck SoundCode DTS Pro Tools Plug-In Suite

eJamming Studio Update Adds Social Networking Capabilities

eJamming, Inc. today announced eJamming® Studio 1.5, now significantly enhanced with social networking capabilities. With searchable Musician Profiles, JamVite instant messaging and Jam Scheduler automatic calendar, as well as automated access through firewalls and routers, the eJamming Studio makes it easier for digital musicians to find, schedule jam sessions and connect with others over the Internet.

eJamming Studio is the only online service that allows musicians using MIDI-enabled instruments to write, rehearse and play music together in real time—even if they’re thousands of miles apart.

Lets Musicians Connect More Quickly and Easily
eJamming’s social networking provides easier, more effective ways to identify and connect with potential collaborators. With eJamming Musician Profiles, users can review player musical influences, styles, instrument preferences and location from both the eJamming Studio and the eJamming website (www.ejamming.com). JamVites provide a way to invite other musicians to join in writing or jam sessions, and the Jam Scheduler keeps track of session dates, times and players involved, as well as public hosted online get-togethers.

eJamming Studio solves router/firewall connectivity issues by using Universal Plug and Play (UPnP) and NAT negotiation techniques to automate opening and closing ports for each eJamming session, getting musicians connected faster and easier. eJamming Studio’s new Connection Doctor aids users in fixing remaining connection problems.

Six Months Free Service for First 2000 Former and New Members who Sign Up
“We want to thank all the musicians who downloaded eJamming before—and invite new users to experience the enhanced ‘new’ eJamming,” said Alan Jay Glueckman, chairman and president, eJamming. “Six months for free is an incredible deal.”

A monthly subscription to eJamming normally costs $14.95, and a Day Pass – for 24 hours of continuous eJamming – costs $4.95.

For more information, visit their web site at www.ejamming.com.

iZotope Announces Major Updates For Ozone 3, Spectron, And Trash Plug-Ins

iZotope has released major updates for Ozone 3, Spectron, and Trash. The updated versions include many usability enhancements as well as support for the latest operating systems and host applications.

Updates for all three plug-ins:

  • Universal Binary versions for Intel-based Macs
  • Support for 64-bit Windows applications
  • Improved authorization system
  • Improved delay compensation support with delay freeze function
  • “Alt-Solo” bandwidth can be changed with the mouse wheel

Ozone 3 updates:

  • Improved EQ snapshot import under Mac OS X
  • Smooth crossover changes in multiband modules

Trash updates:

  • Fully automatable Buzz module
  • 200% feedback settings for Buzz module
  • Smooth crossover changes in multiband modules
  • Host tempo sync for delay time and LFO rate

Spectron updates:

  • Host tempo sync for LFO rate
  • Host tempo sync for Delay module nodes
  • Numeric entry for node parameters

iZotope Ozone 3, Spectron, and Trash are available to purchase directly from iZotope, and are distributed to retail stores worldwide by M-Audio. Updates for Ozone 3, Spectron, and Trash are free to download for registered users on iZotope’s website.

For more information, visit their web site at www.izotope.com.

Channel D Introduces Pure Vinyl 1.1 Universal Binary

Channel D Software today released Pure Vinyl 1.1, a Universal Binary package of audio applications designed specifically for the high quality digital transcription and playback of vinyl LP records.

Pure Vinyl uniquely combines a fun and intuitive “scratch” style grab-and-spin editor with realistic, “virtual vinyl” platter images, rendered from the digitized audio. Automatic gain riding and looping insures accurate track location, even in the presence of vinyl background noise.

A high quality resampling feature simultaneously saves CD format audio while monitoring and recording raw or equalized audio at sample rates up to 192 kHz. Editing operations are nondestructive, and precision, 64-bit real-time inverse RIAA equalization is included. A free, built-in visualizer feature fetches tracks from iTunes playlists and creates an entertaining animation of spinning, “45 RPM” vinyl discs.

Pure Vinyl is priced at $129 (until September, when the introductory price becomes $179) for Mac OS X 10.4 or later.

For more information, visit their web site at www.channld.com/software.html.

Sonicbytes Releases Phrazor Preview #6

Sonicbytes has released Phrazor Preview #6. This release introduces the Standalone and VST Multi-I/O version. The routing-capabilities of the engine have been improved – Multi-Out VST plugins are supported as well. The clip-based Arpeggiator completes the MIDI-engine.

New:

  • Standalone version supporting multiple audio and midi ports
  • VST version provides multi I/O (up to 16 stereo inputs/outputs)
  • Support for Multi-Out VSTs
  • Slots can send audio to any subsequent Track
  • Send and Multi-Out target Tracks are colored
  • Send target Tracks are processed thru
  • Track midi out can be merged
  • Added ‘Internal’ Midi ports
  • Pure Midi Tracks are highlighted
  • Optional routing of midi-input to selected Track
  • The selected Track can be stored/recalled live
  • Clip based full featured Arpeggiator
  • Pianoroll tools Shrink/Expand
  • Pianoroll tool Random-Time avoids doubles
  • Quick browser for merging Clips directly into Pianoroll for reuse of chords and lines
  • Single Programs can be saved/loaded and dragged from Browser
  • Automatic creation of Programs from VST presets
  • Quick browser menus for Tracks, Slots, Programs and Clips
  • Refresh and Explorer buttons in Browser
  • Manual updated
  • Logfiles for diagnostics

Changed:

  • GUI changes to improve consistency and workflow
  • Configuration files renamed
  • Drummaps are now stored in a dedicated Folder
  • Auto-connect for effects is now default, hold control to disable
  • Pianoroll tool Stretch also affects length

Fixed:

  • Hanging notes when switching to SYNC
  • Default folders and filenames in Save dialogs could be wrong
  • Chorder component (was broken)
  • Minor issues regarding State recall
  • Undo/Redo buttons in Pianoroll updated correctly
  • Added missing icons in Schematic Scheme
  • FX version got no audio-input in Cubase
  • VST Parameter Midi-CC assignment crash
  • Moving Clips in list corrupted remote settings
  • Undo was not working with certain tools in pianoroll
  • Bug regarding Selective Clip playback velocity
  • Bug Clip playback with very low tempo

Phrazor is still free – there are no limitations and restrictions.

Preordering is possible until the middle of August.

For more information, visit their web site at www.sonicbytes.com.