otiumFX has updated their compressor, Compadre Beatpuncher VST, to version 1.1.

This is a free upgrade for registered users.

Changes in version 1.1:

• Improved CPU performance
• Faster attack time (now goes down to 0.1 ms)
• Changed response for gain reduction meter & clip indicator
• Fix: registration glitch causing the plug-in to sometimes appear unregistered
• Fix: Weird panning behaviour in some hosts with certain material

Unfortunately it has not been possible to maintain preset/song compatibility with the previous version, so it is recommended that you keep version 1.0 on your system while making the transition. The trial version will also soon be updated.

For more information, visit their web site at www.otiumfx.com.

Posted in Computer, Plug-Ins, Software, Technology

Stylin Basslines: Electric & Synth Edition is the first bass collection designed with Stylus RMX users in mind. With over 550 loops, this collection covers a wide range of styles and grooves using vintage, modern, fretless and electric upright basses, and vintage analog, modern analog and computer based synths.

As part of the BPM Flex Series™, any loop in the collection can be used at virtually any tempo without artificial stretching or unwanted audio artifacts!

Stylin Basslines also includes 150 new and original bass infused RMX multis to get you going when inspiration is coming slow.

Whether using Stylus RMX, Reason or any other REX2 player, Stylin Basslines is said to add “bump” to any track.

Specifications:

• Contains the Stylus RMX format with 130 suites and 566 bass grooves
• Contains 150 Stylus RMX multis, utilizing the Stylin Bassline loops and other Nine Volt Audio bonus guitar loops
• Contains a bonus section of 85 guitar loops from previous Nine Volt Audio releases.
• Contains a Reason Refill and a separate folder with the REX2 files. This allows the loops to be used in other programs that support the REX2 format
• As part of the BPM Flex Series™ loops in the REX2, Refill and Stylus RMX formats can be used at virtually any tempo without artificial stretching or unwanted audio artifacts. The tempo listed with each loop is more of a suggestion to the user, than a hard-and-fast rule
• All loop file names identify the musical key
• All loops were recorded at 24/96 resolution. As bass frequencies benefit little from high resolution recordings, we opted to dither them to 16/44.1 for the disc, which benefits the user by requiring less RAM per suite and faster load times while using Stylus RMX

Pricing and Availablity:

Stylin Basslines: Electric & Synth Edition is now available on DVD-ROM or as a download for $69.99 at www.NineVoltAudio.com.

For more information, visit their web site at www.NineVoltAudio.com.

Posted in Plug-Ins, Synth, Technology, VST

Blue Cat Audio has released a new version of its freeware Chorus and Stereo Chorus directX and VST plug-ins.

Main changes:

• Advanced MIDI control with customizable parameters, curve response, and MIDI learn
• Blue Cat’s Skinning Language V1.2.1 support
• Now supports one skin per preset and a global default skin: customize each instance of the plug-in in the same session
• All parameters can now be fine tuned thanks to a text-edit popup window that appears when double clicking on user interface widgets

Blue Cat also has a step by step tutorial available to learn how to use the new advanced MIDI control features.

For more information, visit their web site at www.bluecataudio.com.

Posted in Audio, Effects, Plug-Ins, Technology, VST

Line 6, Inc. announced today that GuitarPort XT is now shipping. The hardware and software bundle, which will include GearBox™ 2.0 software, is a powerful tool for guitarists seeking a no-hassle way to learn, play and record music. GuitarPort XT works with both PC and Mac computers, including the new Intel-based OS X machines.

GuitarPort XT delivers 18 classic and modern guitar amp models, 24 cab models, and 28 must-have studio and stompbox effects. Plus, included tools such as a chromatic tuner, hum reducer, metronome, and riff looper with half-speed playback ensure a great musical experience. “We’ve taken the studio standard digital modeling we perfected with POD XT, and our expertise in guitar-friendly user interfaces, and combined them into a computer-based product anyone can use and afford,” said Mark McCrite, Product Line Manager for POD & PC Products, Line 6.

With the optional GuitarPort Online™ membership, the musical possibilities of GuitarPort XT are almost limitless. Using an Internet connection, GuitarPort Online members can immerse themselves in a world of guitar tones, tracks and tablature. An incredible collection of loops, grooves, in-depth artist lessons, and original Line 6 songs are instantly available for jamming. The online library also features hundreds of the world’s greatest guitar songs. Ranging from blues to hardcore to modern rock and country, most tracks are available with and without guitar.

Recorded with the same painstaking detail as the original versions, users can learn their favorite songs by using the provided tablature, then “sit in” with a band like Double Trouble on Stevie Ray Vaughan tunes. GuitarPort Online members can even jam with the original master tracks from Jimi Hendrix exclusively remixed by original engineer Eddie Kramer. All lesson, cover, and master tracks are matched with perfectly dialed in amp, cab and effect tones for the ultimate in-studio experience that only Line 6 can offer.

GuitarPort XT (hardware/software package) - $139.99 MSRP, $99.99 Street Price

For more information, visit their web site at www.line6.com.

Posted in Amplification, Computer, Digital, Effects, Software, Technology

Line 6, Inc. announced the latest version of their award-winning guitar recording software, RiffWorks Line 6 Edition Version 2. RiffWorks is available as a standalone software recording application for Line 6® USB enabled devices, and as part of the GuitarPort® RiffTracker™ hardware/software bundle. RiffWorks Version 2 is available for Mac® OS X Universal, as well as Windows® XP and includes RiffLink online collaboration for 60 days and RiffCaster instant podcasting technology.

Designed for guitarists, RiffWorks makes recording easy and fun. RiffWorks users can set the tempo and start recording simply by strumming their guitar. Seven real-time effects help create just the right mix, and the included InstantDrummer™ offers authentic drummer back-up recordings and the ability to dial in the right amount of intensity and variation without typical tedious drum-machine programming. Eight InstantDrummer sessions are included and 46 more are available from Sonoma Wire Works.

With integrated RiffLink technology, RiffWorks users will be able to jam together online with no technical challenges regardless of their platform (Windows® XP or Mac® OS X). RiffLink collaboration will allow multiple users to record and mix in a shared session in real-time or when they have time. After the 60-day free trial, for a nominal subscription fee, users can continue to enjoy all the robust features of RiffLink online collaboration.

RiffWorks Version 2 will offer one-click podcasting and webcasting. RiffCaster broadcasting service allows instant publishing via podcasts and webcasts at the press of a button — all with embedded Creative Commons licensing. “We’ve heard several killer songs produced by RiffWorks users who say it’s their first time ever recording. Many musicians post their first song on RiffCaster the same night they install RiffWorks,” says Doug Wright, President of Sonoma Wire Works. “And now with RiffLink they can collaborate with friends, too.”

RiffWorks Line 6 Edition works seamlessly with Line 6 products such as TonePort™, POD® xt, POD® xt Live, POD® xt Pro, and GuitarPort for Windows® and Mac® OS X. RiffWorks Version 2 is available as an add-on for Line 6 GuitarPort, TonePort, and PODxt customers for $99 and as a complete solution in a box with a GuitarPort in stores now for $265.99 MSRP. Any version of RiffWorks/GuitarPort RiffTracker purchased on or after February 1st, 2006 will be upgraded for free to RiffWorks Line 6 Edition Version 2.

For more information, visit their web site at www.line6.com.

Posted in Guitar, Recording, Software, Technology

SM Pro Audio’s super compact “Nano” series products are now available. The XP200 phone preamplifier, XPH4 multi-channel (4) headphone amplifier, and XPM1 microphone preamplifier are now available through all reseller channels.

The new Nano series products have been designed as highly affordable compact audio solutions for use by home and professional audio enthusiasts alike. With excellent technical properties, robust steel contruction, and simply operational feature sets, the Nano series pack a serious punch without putting a hole in the wallet.

XP200 - Phono Preamplifier:
The XP200 is a portable stand-alone phono preamplifier designed to convert any turntables audio output to a suitable line level signal for recording or playback. With an adjustable preamplifier gain control and perfectly designed RIAA EQ, the XP200 is one of the only phono preamlifiers on the market that can accept both moving coil (MC) and moving magnet (MM) cartridges. The adjustable gain allows for both low and hot input signals! Taking its power from either a 9V battery or DC adaptor, the XP200 is immediatley ready for use in any situation.

• Input/ Output Connectors: RCA
• Input Sensitivity: 55 dBV gain @ 1kHz, 47k Ohms Input Z (with Gain control)
• Input Capacitance: 5pf + cable capacitance
• Input Impedance: 50k Ohms
• Output Impedance: 1 K Ohms
• Max Output Level: +14dB @ 1kHz
• Frequency Response: + / - 1.5dB 20 Hz - 20 kHz (Conforms to RIAA Equalization Curve)
• S/N Ratio: >80 dB
• Power: 12VDC adapter or 9V battery
• Size: 88 X 54 X 38 mm

XPH4 - 4 channel headphone amplifier:
Conveniently powered from either battery or DC adaptor, and housed in a hardened steel chassis, this robust little tool features 4 high-powered independently controllable headphone amplifiers. A handy Stereo/Mono switch is also provided to for use when required.

• Input Connectors: stereo 3.5mm mini TRS and RCA
• Input Impedance: 100K unbalanced
• Max input level : + 22 dB
• Output connectors: 1/4″ stereo TRS phone
• Output impedance: Minimum10 ohms each output
• Max gain: 19dB/Channel
• S/N ratio: >98dB
• Power: 12-18V DC adapter
• Size: 88 X 54 X 38 mm

XPM1 - Microphone preamplifier:
The XPM1 is a compact battery/or DC powered microphone preamplifier offering 50dB of adjustable gain and phantom power. Designed for both project studio and field location recording environments, and boasting excellent technical specifications, the XPM1 is ideal for a wide variety of applications. With an extremely compact form factor, rugged steel chassis, and high quality components, the XPM1 is sure to provide years of trouble free operation under the most challenging conditioins.

The XPM1 features both XLR and TRS jack inputs on the front panel allowing for the connection of all types of microphones. The switchable 12V phantom power facilitates the powering of condenser microphones.

• Input Impedance: Mic-600 ohms / Line-10K ohms
• Input connectors: 1/4″ stereo TRS and XLR
• Max input level: +22 dB
• Max Gain: +50 dB
• Output impedance: 100 ohms
• Output connectors: 1/8″ stereo TRS and RCA
• Max output level: +14 dB
• Phantom Power: +12VDC
• S/N ratio: >105dB
• Frequency Response: +0/-1dB 20Hz-20 KHz
• Power: 12-18V DC adapter
• Size: 88 X 54 X 38 mm

For more information, visit their web site at www.smproaudio.com.

Posted in Amplification, Recording, Technology

AraldFX and Dash Signature has released the Mac version (AU, VST and AU Universal Binary) of Grand Electrix Virtual Piano, an emulation of the famous CP70 electroacoustic piano.

To celebrate the Mac release the price is reduced to only 50 USD for two weeks, until 10th of September 2006 (then it will get back to full price $79 US). The license at $50 US includes both Mac OS X and PC Windows versions.

“Grand Electrix” is a sample based virtual instrument featuring a new stream from disk custom technology (”direct from disk”), for very low memory and CPU usage. Samples are streamed in real time from the computer disk, so there is no need for large amounts of RAM.

Features:

• 180 MB multisample full decay, no loops, crossfading layers
• Stream from disk custom technology for very low memory and CPU usage
• Complete control on Velocity response, curve, min max, sensivity
• 3 Band EQ
• Tremolo
• Chorus
• Temperament Menu (microtuning)
• Stretch tuning adjustable

Samples are derived from the acclaimed Hollow Sun library “Definitive CP 70″. A demo of Grand Electrix Virtual Piano is available here.

For more information, visit their web site at www.araldfx.com.

Posted in Apple Mac, Computer, Piano, Recording, Software, Technology

GVOX has announced the lastest update to MasterTracks Pro.

MasterTracks Pro for Windows has been fixed. The easiest to use MIDI sequencer on the market is once again in full working order.

GVOX knows that many have shared in the frustrations of some of the bugs that were in MTPro 6.8.3. The software primarily worked, after you may have contacted technical support or visited our knowledgebase. The bugs in the code frustrated our developers too. However, our new, crackerjack developers went right to work on MasterTracks Pro after completing the rebuilding of Encore and Musictime Deluxe for Mac OSX.

The following bugs were fixed:

• Edit sysex, program crash
• Slide data didn’t work right
• Single clicks in the track editor didn’t open windows
• Shift/click to the record controller info didn’t work
• Request to make “Choose Instrument” dialog bigger so no need for scroll bar didn’t work
• Menu inactivated at song end, including Save Preferences
• Click any .mts file to open - error message “: only allowed with drive letter” would show
• Thru on a B-port channel, it plays through the correct channel, but on the A-port
• Songs couldn’t be reordered like on Mac
• Stuck Sound when hit stop in middle of sustained note
• Empty field boxes in the Track Editor Program Name column were filled with a whole bunch of grayed-out characters
• In Windows 2000 and XP taskmanager ran at 99%
• Now tempo offset affects current time
• Current time” changes according to time base setting
• Mousing deactivated main menu
• External sync was non functional
• Timing/tempo issue in playback/record caused a gradual “lag”

For more information, visit their web site at www.gvox.com.

Posted in Computer, MIDI, Microsoft PC, Recording, Software, Technology

Now with convenient DB25 connectors, the new AN-16/o converts 16 channels of uncompressed, 24-bit digital data transmitted via A-Net into sixteen discrete mic- or line-level analog audio output channels.

Aviom’s newly updated AN-16/o Output Module is now shipping—with the flexibility of improved mic and line output levels, convenient DB25 multipins for audio connections, and heavy duty locking Neutrik EtherCons for network connections. The AN-16/o Output Module will make its debut at AES 2006 (Booth# 123).

The new AN-16/o provides sixteen balanced mic- or line-level analog outputs, with switchable output levels per channel pair. Audio outputs feature secure DB25 multipin connectors. With both mic- and line-level outputs available, connecting to a console is simpler and more flexible.

The AN-16/o can be used both on stage and at front of house to provide outputs to consoles, as well as to amplifiers and speaker processors. Adding a split for recording or broadcast is as quick as running a Cat-5e cable to the additional locations and connecting additional AN-16/o modules as needed. Any number of AN-16/o Output Modules can be connected in a system, providing unlimited lossless digital splitting of an audio stream.

The built-in A-Net Expansion jack also allows easy integration into an existing Pro16 Monitor Mixing System, as well as a path for building 32-channel systems (16×16 or 32×0) on a single Cat-5e cable. The AN-16/o is also fully compatible with the AN-16SBR System Bridge, which supports 64-channel systems in a variety of bi-directional configurations. All network connections on the AN-16/o now use heavy duty locking Neutrik EtherCon connectors.

In applications where cable runs exceed the 500ft/150m supported by A-Net on Cat-5e, the AN-16/o can be used with media converters and fiber optics.

For more information, visit their web site at www.aviom.com.

Posted in Audio, Recording, Technology

Audio Ease releases Mac Intel compatible version of Nautilus Bundle and Rocket Science Bundle (Mac OS X plug-ins).

The Rocket Science Bundle (flight path simulator, talk box and autowah) and the multiple award winning Nautilus Bundle (Phase correct scope-EQ, granular soundscape synthesizer and end-all Phaser) have today been released as Mac Intel compatible Universal Binaries.

The new versions are free upgrades for Rocket Science version 3 and Nautilus version 2 users, and can be picked up from www.audioease.com/support.

The Nautilus Bundle (for Mac OS X: MAS VST RTAS HTDM AU Audio Suite) consists of the following three plug-ins:

RiverRun
River Run is a Granular Soundscape Synthesizer capable of oozing immense sonic oceans of tiny particals taken from your original audio. It can build rhythmic textures, wide harmonic soundscapes, and it can zoom in on your fragment by stretching it by a factor of up to 200.

PeriScope
Look at the audio spectrum via the real-time animating spectroscope, or graphic analyzer, and grab faders where you see the audio happening. Phase Correct EQ, with surgical precision, and unprecedented low frequency resolution. Edit modes range from fluent to massively steep.

Deep Phase Nine
Deep Phase Nine is a true phaser that offers unparalleled control and visual feedback. Up to 24 notches per channel, beat locked sample and hold, one-shots, a true phaser (not a flanger!) done the Audio Ease way.

The Rocket Science (for Mac OS X: MAS VST RTAS HTDM AU Audio Suite) consists of the following three plug-ins:

Roger - You can apply human vowel filters to your audio with Roger. Use the vowel bar at the bottom to click through the vowels and click the portrait to select one of the Roger family members. Features include portamento, automation, Midi-controll and rythmic talk-nonsense mode.

Follo - Dynamically adjusts the peak of a resonating bandpass filter according to the level of the incoming audio. Applications of Follo include an autowah on a guitar, and a thumping resonating bass generator.

Orbit - Orbit lets you control the virtual position of your sound source. It accurately calculates the sound source’s reflections of the walls of a virtual ‘outer room’, using the exact amount of delay and attenuation for the direct sound and all reflections alike. Useit a s a physicallly correct panner, select from preset source trajectories, or create them yourself via live MIDI controller or parameter automation.

For more information, visit their web site at www.audioease.com.

Posted in Apple Mac, Plug-Ins, Technology, VST